The video installation 'Welcome to Manistan' travels to an online parallel universe in which traces of everyday, structural violence against women become visible on the basis of assembled video sequences. The speed of the cutting techniques and the simultaneity of the different sources aim for pre-attentive processing and audiovisual overstimulation.

How do vision and fascination contribute to the acceptance of gender discrimination?

Where is the border between pop culture, rape culture and political reporting? Where do you find similarities? And how can moments of resistance be articulated?